As the bigger, bolder cousin to our classic C10 model and the newest body shape in our acoustic line up, the C100 combines parlor-style proportions with the power and volume of a large-bodied instrument. With a nearly 16 lower bout and 4body depth, the C100 offers no shortage of solid, low-end response, yet the narrow waist and non-scalloped bracing design provide exceptional balance and clarity typically found only in smaller-bodied instruments. Whether youre a flatpicker, fingerstyle player, or something in between, the C100 offers impressive versatility and just might be the ideal companion for singer-songwriters looking to fill the room with sound while still leaving space for vocals to shine through.
- Top Sitka spruce
- Back & Sides E. Indian rosewood
- Neck Honduran mahogany
- Body Binding Ivoroid with b/w/b/w/b purfling
- Fingerboard Binding 060″ ivoroid
- Peghead Binding .060″ ivoroid
- Bridge Ebony belly-style with 2 3/16″ spacing
- Fingerboard Ebony with MOP long dots
- Bridge Pins/End Pin Ebony with MOP dot
- Nut Bone, 1 11/16″
- Saddle Bone, drop-in
- Neck Profile C-shape
- Peghead Profile Haircut
- Neck Joint Mortise & tenon hybrid
- Truss Rod Fully adjustable
- Frets Medium 18% nickel-silver
- Peghead Veneer Ebony with MOP Collings logo
- Tuners Nickel Waverly (16:1 ratio)
- Backstrip Deluxe (maple/rosewood)
- Rosette Ivoroid with b/w purfling
- Scale Length 25 1/2″
- Brace Material Sitka spruce
- Brace Pattern Pre-war non-scalloped X-brace
- Fingerboard Radius 14″ – 26″ compound
- Body Finish High gloss nitrocellulose lacquer
- Neck Finish High gloss polyester resin
- Pickguard Tortoise
- Strings D’Addario EJ-17 (.013″- .056″)
- Case Deluxe hardshell case by TKL
